insight, cool, calm and collected narration of
a ruthless husband and his panicky wife’s conjugal clash culminating
in an intact commentary on the Islamic divorce deadlock. Religious
and social custodians depart mute, parents and well-wishers of
the tortured woman look blank, yet Raushan, the central character
in the novel spearheads a robust legal battle drawing solace from responsible company
of a man whom she at long last bids farewell. The court declares
the talaq against Raushan as invalid
and the ex-husband offers Rs 5 lakhs
to the beleaguered woman as she recognizes futility of a decree
when it comes to a thriving married life.
The writer is spontaneous in recognizing the prevailing
woman discrimination in socio-religious corridors; there are too
many of such instances in the country. No Muslim woman can enter
a mosque, and a Hindu namghar in Barpeta shuns womenfolk. Feminism
is how we know the worldwide rebellion to secure man-woman parity.
May be feminism implies disgust for men, nevertheless Tuna Gautam
refuses to be carried away by a feminist’s customary judgment
in her open presentation of a few compassionate
male characters in the novel.
The narration begins with a gloomy reverberation
of the Islamic prayer ‘Azan.’ The separated wife and dear mother
navigates the timeless prayer vibrations.
She comes
across another angry Hindu girl up in arms against
female discrimination. The writer towards the end of the novel
mentions that the young rebel gets married; Raushan’s sister is
off to Saudi Arabia
as she too finds a suitable bridegroom, her sincere male companion
Maqbool is set to get married.
Maqbool and Amin are the two male compatriots
in Raushan’s journey. Yet they are not an Anwar for the woman.
Raushan had developed a fascination for Maqbool,
Amin had come forward to propose her. But perhaps the urge within
Raushan was never that strong for the tender girl to respond decisively,
and she always needed a parental approval to choose her life companion.
Maqbool and Amin, in the post divorce phase of Raushan’s life
reappear in the scene and they are two men novelist Tuna Gautam
depicts most sensitively. Feminism is not male
opposition, nor does just a legal decree- Tuna Gautam asserts
in her debut novel. The writer is unambiguous that feminists are
essentially humanists and a human being is raised in a family.
Let us learn to live in a family.
Readers in the last page of the novel get the
real name and address of the brave woman- Jinnat
Fatima Rashid, a school teacher in Maligaon
Central School,
Guwahati. The tortured unyielding woman continues her legal battle
at a Munsiff courts even after a landmark Supreme Court judgment
in her favour.
NOTE: Author Tuna Gautam
is the Assistant editor of the Assamese women’s monthly Nandini
published from Guwahati. Jinnat is published
by Banalata, Pan Bazar, Guwahati-781001,
Assam,
India.
Price-Rs 60.