description about the structure is found in Parasara's 'Brihat
Hora Sastra'. All subsequent Indian astrologers accepted it unquestioningly.
This absolute acceptance and lack of evolutionary history in the
Indian astrology compel us to believe that a completely developed
and widely accepted design was introduced to India by about 8th-9th
century B.C. (After Lagadha and before Parasara).
The structural design of the natal-chart used by the ancient Mesopotamian,
modern and ancient Indian and Western astrologers are basically
the same, and all alterations are merely cosmetic. This design
is probably the world's first computing software with built-in
'virus'. Scores of informations are integrated in this design
which will become evident as soon as the 'planets' are placed
in their proper places, but the whole computing structure gets
destroyed even if a single alteration is brought in. That is the
reason why no subsequent astrologer dared to modify the same.
The present author has gone through at least ten different interpretations
of genesis of design of the birth-circle (Jamma Chakra) based
on astrology, astronomy, numerology and on mystic value, verging
from near rational to absolutely fantastic. There will be no great
harm if the present author adds his own interpretation to this
lot.
The design of the natal-chart virtually universally used in Indian
and western astrology was first seen on the clay tablets (found
in the archaeological excavations) of the ancient Mesopotamian
cities of Babylon, Nineveh and Nippur, the age varying from roughly
2000 B.C. to 6th century B.C. The Greeks got their chart from
the Chaldeans by about 6-7th century B.C., whereas Indian astrologers
must have known about its existence before one millenium B.C.
but did not find it acceptable till about 8th century B.C. Once
accepted it remained unchanged for the last for three thousand
years.
The present author comprehends the design of the zodiacal-ascendant
birth-chart with its planetary ownership of houses, as two- dimensional
representation of the three dimensional spatial interplanetary
energy distribution map of the solar system as known at that time.
To follow the logic behind this apparently simple design, where
a circle is divided into twelve equal sectors or houses with the
Sun and the Moon owning one house each and rest of the planets
known at that time namely Mercury, Venus, Mars, Jupiter and Saturn
owning two houses each should have been easy, but deciphering
could not be done for the last three thousand years and the secret
went to grave along with its designers.
To grasp the intricacy of this grand design, first we must accept
some postulations as true and then subsequently reexamine the
same whether they could have been true or not.
1. To the astrologer designers of the natal-chart, the orbital
path of the celestial bodies were as important as the celestial
bodies themselves.
2. The designers knew that the Moon does not have any energy field
of its own, but it conveys the solar energy to the Earth.
3. The five solar planets visible with naked eyes from the Earth,
and the Earth itself revolve round the Sun.
4. Relative spatial positions occupied by the planets of the solar
system including this Earth in respect to the Sun was known at
that time.
5. The designers of natal chart probably also knew (but it is
not absolutely essential ) that the Earth is spherical in shape,
and it revolves round its axis.
It will be much easier to understand this grand design if one
retreats step by the structural evolution of the natal-chart with
the help of a series of diagrams. Ultimately the truth will be
revealed making further explanations superfluous.
This is the most popular design of the natal-chart in India,
used Primarily in the southern states. It is only a 'mirror image'
or 'reverse' of the classical Mesopotamian design. House ownership
of planets is same as in the classical chart. DIAGRAM
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This design of natal-chart is popular in the northern and central
India. Modification of the classical design is made by bringing
the house where ascendant is located to the top-central square.
If we put ascendant in the house of Aries, the classical design
is obtained. DIAGRAM
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